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The Art of Storytelling

I thought that it was interesting to learn about the different forms of storytelling: talk about storytelling, enacted storytelling and transformed storytelling. Chol, Ezra, and Francis held storytelling close to their hearts. Storytelling was how the Sudanese community passed information down from one generation to the next. I kept thinking about how I would never be able to remember family history information if it had been only orally given to me. I remember as a child and young adult trying to recall facts about my family genealogy. I had to constantly refer to the information listed in print.

Throughout our readings we have noticed the weight that connections carry for our students. I could not help but think of what a strong connection Erza must have had when he first learned that there are genres in literature. He stated, “I did not know this until I was doing literature in Kenya, oral literature, when I came to realize some of the stories, although different versions of the stories that I had been hearing, being classified. “ He was able to apply his background knowledge to help him understand a new concept presented in the classroom.

The Youth Program that Erza described is exactly what storytelling has always meant to me, a form of drama. In my eyes, means a more exciting approach to literature. In high school I was in theatre arts and we were performing Edgar Allan Poe’s short story, "The Cask of Amontillado". The next week in English class we were reading the same story. I had never understood a story more in my life because I had been a part of the storytelling process. This connection helped me to understand how important storytelling can be and why “The Lost Boys” wanted to ensure that this part of their culture was not lost. They did acknowledge that written form would provide a way to safeguard this information for those who did not get to experience the art of storytelling first hand.

Lamont Carey (I Can't Read) HBO Def Jam Poetry related well to Perry’s, “From storytelling to writing: Transforming literacy practices among Sudanese refugees”. Stress and responsibility are two words that came to my mind while viewing the clip. Knowing that your future options are limited because you can’t read and success in athletics is crucial. Lamont Carey’s use of storytelling through poetry painted a clear, yet dejected view of being an illiterate youth. He asks several powerful questions, but the one that stuck with me most was, “what are my options?” In my mind I was a searching for an answer but I was speechless. This answer should have been easy and full of choices. His future could have been anything he wanted to make it. I began asking myself, how did his teacher(s) miss this? I hate to entertain the idea that his teachers indeed knew but chose to overlook it.

Stacy Durham

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Comments (4)

Andrea Schlobohm:

Stacy,
Thank you for sharing your first hand account of how theater/acting can increase a student's ability to comprehend what they are reading. Acting out stories allows our student to gain more insight into the characters and situations. Instead of having to think about and analyze an abstract situaion, the students can act the situation out with their classmates. Acting in a supportive, accepting environment may also help students to feel more confident in themselves and empower them to speak out more in class discussions.

Holly Lawson:

Stacy, like you, I was left speechless after watching Carey's delivery of "I Can't Read". There is absolutely no reason why a student should just be passed on. As educators, we have a responsiblity to help children by establishing where they are and moving them forward, rather than giving up on them. They look to us for help. Watching this clip made me feel ashamed and angry with the system. Thankfully, I feel that we are beginning to take steps to identify struggling readers early on. Even if progress is slow, we must stay the course and give every student what he or she deserves- an opportunity to succeed in this world. Without literacy, it will not happen.

Carrie Brown :

Hi Stacy,
I'm totally with Andrea in that I loved how you reflected on the importance of acting out a story. I admit that I don't do that enough in the classroom and I should! When you put yourself in a role dramatically, you become a lot more engaged in the text. My students loved reader's theatre and I would do it primarily when I was trying to improve upon fluency. But you're right in that it has a lot more important qualities. I also think it would be awesome to have students create a script of a story in their words. I've never done that but I think it would be a great learning experience.
Thank you for inspiring me to try something new!

Dr. Jackson:

I like how you put the two texts together and see the stark contrast *within* the issues of literacy and power. And yes, print literacy is only one type of literacy and the power of movement and acting can be transformative as well! Great post!

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This page contains a single entry from the blog posted on June 16, 2011 7:29 PM.

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